Important Note on the Image Stabilization of this Lensīut if you read the manual for this lens on page 11, you find a little catch. 99 feet (.3 meters), which gives just enough room between you and the subject to make photography practical, while still maximizing the macro capabilities of the lens. The close focus distance for this lens is. So be sure to check the magnification ratio when looking at other alternatives to this lens. Many lens manufacturers advertise that a lens is “macro” when it has a reasonably close focus distance, but it isn't anywhere near 1:1. If you are buying a dedicated macro lens, you'll certainly want at least a true 1:1 like this lens. Since the imaging sensor is quite small, the ant will appear quite large in the photo. That isn't to say that the ant will be tiny in the picture. So if you take a picture of an ant, the ant will be ant-size on the imaging sensor. This means that the subject of the photo can be reproduced on the image sensor at actual size. This lens is capable of true 1:1 macro photography. I have not tested the way the sun comes through the glass to determine how that looks. Not surprisingly, SLR Gear notes the CA is worse at higher f-stops.įlare: The aperture has 8 blades, so it should produce a nice star effect when stopped down to around f/9. No negatives to mention.Ĭhromatic aberration: On par with other lenses of similar quality. No negatives to mention.Ĭontrast: On par with other lenses of similar quality. Vignetting: Only when wide open, and even then it isn't severe.Ĭolor: On par with other lenses of similar quality. If you find yourself shooting macro photography handheld, this is undoubtedly the choice for you however, if you shoot from a tripod or use a macro rail for your macro photography, then there are better options available since the image stabilization won't really help you. The Canon 100mm f/2.8L Macro is one of the best choices for macro photographers, but it isn't the only choice. Who Should Buy this lens: Macro photographers who want a dedicated macro lens rather than using extension tubes or a close focus filter, and who will use the lens handheld to take advantage of the image stabilization. On a full-frame camera, some photographers will find the focal length of this lens too short, and will instead choose the 180mm macro, which is slower to focus, more expensive, and older, but which still performs well. And even though this lens is cased in a plastic body, it is still quite sturdy and is weather sealed. For handheld macro work, there is nothing that compares.Īlthough the plastic body of this lens will turn away some photographers from choosing this lens, others will enjoy the lighter weight. The Canon 100mm f/2.8L Macro is a surprisingly sharp lens with one killer feature: image stabilization.
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